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Writings \
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Eliminating Image Quality Issues:
Assisting "The Willing Suspension of
Disbelief"
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It is relatively easy to look at a well
reproduced, perfectly calibrated picture and know that it really
looks great. If you use a calibrated display to watch an
Action DVD, you will find yourself getting caught up in the
action of the movie and may unwittingly grip the arm of your
chair during a chase scene, just to hang on. If you are
watching a suspense Thriller, you will find yourself unknowingly
holding your breath and will feel your heart beat quicken and
blood pressure rise as the
stalker works his way toward the basement hideout.
In this nouveau-real environment, it's easy
to get caught up in the action. In fact, it is the whole
"Escape" that makes the adventure worth taking. Poet and
author Samuel Taylor Coleridge called it "The Willing Suspension
of Disbelief", meaning that we voluntarily allow ourselves to be
brought into this manufactured world for a short while, just for
the experience of it.
However, the "Willing Suspension of
Disbelief" implies that the environment be believable as a
prerequisite. Image quality issues will cause us to lose
our ability to accept what we are seeing as real. An image
that does not appear realistic, that does not appear like
anything we could experience, will make it difficult for us to
believe we are a part of the world we are watching. Have
you ever found yourself "falling out" of the suspension of
disbelief due to distractions in a movie theater? Although
those transient distractions are an inconvenience, image quality
issues are a subconscious distraction that is ever-present, and
they affect the suspension of disbelief during every experience.
Listed below are some common display device
issues that affect the believability and realism of the image.
These issues cause us to lose the ability to "Suspend Disbelief"
and can prevent us from getting caught up in the plot of a grand
adventure. Next to each of the visual images below is a
description of what you are seeing in the picture, and then the
solution to each issue is presented using various tools in the
ColorFacts video calibration system.
This analysis can also be used in
reverse. If you are already using ColorFacts now, you can
scan through the column called "Image Analysis" for a graph that
matches what you are seeing from the system, and then move
across to the left to see what is occuring in your actual
picture. You may be surprised! It is very common to
have anywhere from somewhat mild to very significant image
quality issues present and not even realize it until after you
have had the image calibrated. However, once you have seen
the quality of the calibrated picture, and know the level of
realism and believability that is possible, you will never want
to go back.
Here are some of the most common image
quality issues, how to detect them visually and through
measurement, and what needs to be done to correct the image for
maximum believability and realism.
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Visual
Appearance |
Visual Description |
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Image Analysis |
Analysis Description |
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Correct Reproduction
This is the correct reproduction of
Benjamin that accurately displays his real appearance.
Notice the subtle gradations of skin tone on his checks and
nose, the visible detail in his eyes and the naturalness of
the fabric of his shirt. Also note the smoothness and
uniformity of color of the background behind Benjamin.
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Ideal Luminance Curve
To achieve the correct reproduction, you
will need to reach the 'Target' parameters in all of the
ColorFacts Instruments.
When you have reached the correct
reproduction point, the Luminance Histogram in ColorFacts
will display a gamma characteristic close to
2.5*
with both ends of the luminance curve going into opposite diagonal
corners of the graph. |
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Brightness Too High
In an attempt to create a brighter
picture, the Brightness control of this display has been set
too high.
Ironically, the
increased brightness actually decreases the dynamic range of
the display, and will cause the picture to appear washed out and
incapable of reproducing proper shadow detail. |
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Luminance Graph Elevated
Here you can see that the left-hand side
of the luminance plot does not start all the way at the bottom of the
graph, but slightly above. That means that a good
black level could not be reproduced.
The elevated black level has also caused
the Gamma calculation to be shown as being too low (1.78),
and a low Gamma factor is
a general indication that the image will appear "washed out"
to the eye. |
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Contrast Too High
Typical of displays set up to catch a
buyer's attention, the Contrast of this display has been
turned up to an excessive degree. Initially, this
appears to create additional "punch" in the image, but
extended viewing of the picture becomes quickly fatiguing,
and possibly even damaging to the display device itself.
Note the complete loss of detail in
Benjamin's cheeks and nose as the highlight details are
crushed. |
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Luminance Graph "Crushed"
The ColorFacts Luminance Histogram shows
that the luminance rises correctly out of Black, but rises
too fast and reaches peak White at about 80% of the way up
the Gray Scale, causing all details above this point to be
"crushed" together.
The Luminance
Histogram line should display a smooth transition into the
upper right-hand corner and not bump into the top of the
graph at all, except at the extreme right corner. |
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Color Too High
The "Color" setting of this display has
been turned up too high, possibly in an effort to make the
display appear "richer" and more saturated.
One sign that the "Color" control has
been misadjusted is when male subjects appear to
be wearing bright lipstick instead of having natural lip
color, or if normally fair skin appears sun burned. |
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Split Color Bars Incorrect
The "Color" setting needs to be adjusted
while using the "Split Color Bars" test pattern in the
"ColorFacts Test Patterns" program.
The two outside bars should appear as
solid Blue bars through the ColorFacts Calibration glasses,
and should not be broken into three parts as they appear in
this picture here. Adjust the display's Color control
until the bars are a uniform Blue color. |
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Color Too Low
The Color control is again misadjusted in
this picture. This time the Color control is too low,
causing the image to appear undersaturated.
At an extreme, adjusting the Color
control too low will result in a Black and White image. |
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Split Color Bars Incorrect
The "Split Color Bars" test pattern will
display the opposite error from the previous example (where
the adjustment was too high), but will again display the two
outside bars as being misadjusted.
See the
"ColorFacts Test Patterns" Help file for more detail on this
test pattern and how it works. |
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Temperature Too High
Many displays are set up to look their
best in store showrooms, and not in your home. Among
other things, this means that the Color Temperature is
typically adjusted way too high, which means that the image
contains an excessive amount of Blue in the picture.
Although this look may work well to help
sales in the showroom, it does not help with our suspension
of disbelief when watching at home. |
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Temperature Histogram Reading High
ColorFacts will display this error as an
elevated line on the Temperature Histogram. Here you
can see the dotted line goal of 6503 Kelvin, and this
display's actual color temperature of closer to 9300 Kelvin.
The solution is to use ColorFacts and a
color analyzer to calibrate the display to D65, which is
6503 Kelvin. |
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Temperature Too Low
If a display has a "Color Temperature"
setting and it is adjusted to the "low" position, the image
may not be correct for normal color video.
The picture to the left makes Benjamin
appear in unnatural Sepia tones. Although it lends an
air of apparent nostalgia to the image, it is not a correct
reproduction. |
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RGB Histogram Line Separation
Besides using the Color Temperature
Histogram (above), the RGB Histogram will also inform you of Color
Temperature errors.
Here, we see that all three color lines
are very linear, indicating good gray scale tracking.
However, Red is above 100% and Blue is below 100%,
indicating that the overall Color Temperature is incorrect.
Recalibrating so that all three lines are at their target of
100% will ensure the correct reproduction (see final image
on this page). |
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Sharpness Too High
A small amount of Sharpness boost (edge
enhancement) may not negatively affect the image to an
appreciable degree, but it
must be understood that this is information that is not
coming from the source material, and therefore may affect
the "suspension of disbelief" that we would have if the
image were more correct.
However, here the Sharpness setting is
clearly too high as can be see from the white shadow to the
side of Benjamin's face. |
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Visible Edge Enhancement Using the
ColorFacts "Sharpness" Test Pattern, you will be able to see
the visible edge enhancement being performed by the display.
The Sharpness should be reduced until the
Black lines on the Gray background are no longer glowing
with White fringing.
The only two colors in this test pattern are Dark Gray and
Black. Lighter colors should not appear from the
Sharpness control being set too high. |
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Gamma Too High
The luminance of the image across the
gray scale is very important to proper image reproduction
since the luminance represents such a large part of our
image information.
Here the gamma of the display is too
high, which means that the mid-tones of the image are too
dark. Note that the luminance of White and Black are
still correct and that the color is still where it should be. Only
the luminance of the mid-tones is incorrect. |
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Gamma Curve Too Deep
In the ColorFacts Luminance Histogram, we
see this display coming out of Black on the left-hand side
of the graph very slowly. The luminance is hardly
moving at all below 40 IRE. The gamma was calculated
at being close to 4.2, far too high for accurate image
reproduction.
This will result in an image that appears
overall "too dark", although neither the Whites nor the
Blacks are completely crushed. The gamma target should
be between 2.2 and 2.5. |
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Gamma Too Low
If the luminance through the mid-tones is
too bright, the image will appear "washed out" and will not
have the depth that draws a viewer in to the image.
A low gamma setting can appear visually
similar to having the Brightness control set too high.
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Gamma Curve Too
Shallow
Here the ColorFacts Luminance
Histogram shows that the mid-tones are too bright and the
gamma was calculated at 1.8, which does not properly account
for the encoding of the source material.
The image will appear even more washed
out if the display is the primary illumination in an
otherwise dark room. |
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Poor Gray Scale Tracking
Non-linear gray scale tracking is a
common problem, particularly with digital display devices.
The issue is that different levels of gray are different
colors.
In this picture, the background behind
Benjamin has a slightly Bluish tint to the darkest gray
scale shades, turns Greenish through the mid-range, and ends
up with a Reddish tint toward the top.
Note how difficult these patterns would
be to determine visually using just the picture of Benjamin
(without the gradient background). |
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RGB Histogram
Lines Not Parallel
The ColorFacts RGB
Histogram graph is again a powerful tool for discovering
gray scale color trends.
This graph shows what we witnessed
visually: Bluish at the bottom end, Greenish through the
middle, and Reddish at the top. However, we can now
see exactly what adjustments need to be made at various
locations in the Gray Scale to correct the image.
Fixing
non-linear gray scale tracking can have a major impact on
the believability of the image. |
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Incorrect Tint
Tint affects the proper decoding of color
information in the image and an incorrect tint setting will
cause all color information to be shifted. |
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Split Color
Bars Incorrect
Tint can be set using
the ColorFacts Test Patterns "Split Color Bars" pattern and
Blue calibration glasses.
When Tint is set correctly, the two middle
bars will be a consistent shade of Blue from top to bottom.
Here, we can see that the middle two Blue bars are broken
into three sections, indicating an incorrect Tint setting. |
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Correct
Reproduction
After all adjustments are
made, we reach the state of an accurately reproduced image.
Notice from the image to the left how
much more "present" and believable Benjamin appears.
A properly calibrated image naturally assists in our "willing
suspension of disbelief". |
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RGB Histogram
at Goal
At the top of this table, we
showed what the Luminance Histogram will show for a properly
calibrated display. Here you can see how the color
tracking appears.
All three primary colors are tracking
perfectly with the goal at 100%. Although there is
only one calibrated state, you will know you have reached it
when the RGB Histogram displays a graph like this. |
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Mark
Hunter
Milori,
Inc.
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